Gratuitous overuse of the frog analogy
May. 5th, 2005 08:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A recent book review in our newspaper read:
Wallace Stegner writes ... that the difficulty with explicit sex in novels is that it invariably usurps all else that the author is attempting to accomplish:
"The trouble with excessive sexuality, in novels or in life, is that it is so compellingly interesting and attention-holding that it makes everything else seem tame or dull; it crowds off the page whole areas of human experience and human feeling that belong there but can't maintain their foothold."
Such is the case in Sue Miller's newest novel, Lost in the Forest. Although Miller's exploration of grief and self-discovery is both compelling and insightful, the sexual trysts of 16-year-old Daisy are so unforgivingly explicit that Miller's attempts to uncover the depth of who Daisy is are muddled by a nipple here and an arched back there....
I thought this over and decided that somewhere, I had crossed over to where this wasn't true for me. I've noticed that after reading fan fiction for nearly two years, I no longer find excessive sexuality all that distracting. It's like the classic analogy of the frog in slowly heating water: little by little, I no longer notice the erosion of my ability to be shocked, tittilated, or even surprised by graphic writing. I have become comfortably numb.
How about you?
Aside: Does anyone have an mp3 of Led Zeppelin's Stairway to Heaven that I can, er, borrow? Got it. Thanks, Paula!
Wallace Stegner writes ... that the difficulty with explicit sex in novels is that it invariably usurps all else that the author is attempting to accomplish:
"The trouble with excessive sexuality, in novels or in life, is that it is so compellingly interesting and attention-holding that it makes everything else seem tame or dull; it crowds off the page whole areas of human experience and human feeling that belong there but can't maintain their foothold."
Such is the case in Sue Miller's newest novel, Lost in the Forest. Although Miller's exploration of grief and self-discovery is both compelling and insightful, the sexual trysts of 16-year-old Daisy are so unforgivingly explicit that Miller's attempts to uncover the depth of who Daisy is are muddled by a nipple here and an arched back there....
I thought this over and decided that somewhere, I had crossed over to where this wasn't true for me. I've noticed that after reading fan fiction for nearly two years, I no longer find excessive sexuality all that distracting. It's like the classic analogy of the frog in slowly heating water: little by little, I no longer notice the erosion of my ability to be shocked, tittilated, or even surprised by graphic writing. I have become comfortably numb.
How about you?
no subject
Date: 2005-05-05 03:55 pm (UTC)Sad that you are so rarely moved by the sex
Date: 2005-05-05 03:58 pm (UTC)Not a criticism in any way, just a question. I often read slash for the great writing, myself.
Re: Sad that you are so rarely moved by the sex
Date: 2005-05-05 04:39 pm (UTC)Romance, yeah!
Date: 2005-05-05 05:43 pm (UTC)Romance novels have desire, but it's usually so cliched. Good slash fanfic is constantly trying to write desire in new, fresh ways. The whole subversiveness of same-sex pairings helps with that, of course.
Re: Romance, yeah!
Date: 2005-05-06 01:15 am (UTC)Re: Romance, yeah!
Date: 2005-05-06 04:37 am (UTC)Re: Sad that you are so rarely moved by the sex
Date: 2005-05-06 05:22 am (UTC)The main reason I read slash, though, is because I want to read more about my favorite characters, so there's no comparison between fanfic and an original novel. The latter will always be lacking if what I want to read is more about certain characters.
here through d_s
Date: 2005-05-06 09:57 pm (UTC)*sigh* I love At Swim so much....
Re: Sad that you are so rarely moved by the sex
Date: 2005-05-07 09:06 pm (UTC)The note about characters - yeah, one of those things that was so obvious I missed it. But you're right - that's got to be a prime part of the fic to interest me. A lot of my LJ friends write in other fandoms that I'm clueless about. And I know the writers; they're good, but I can't read the story becasue I don't know who these guys are.
Even in HP, there's one character *coughluciuscough* that's really hard for me to read about sexually. I've tried. And I know some superb writers use him in their stories, but...
Re: Sad that you are so rarely moved by the sex
Date: 2005-05-07 09:22 pm (UTC)no subject
Date: 2005-05-05 11:29 pm (UTC)See, that's what I've noticed myself doing more and more. Especially if it's more description of methodology than emotion. I'm really looking for that emotional hook to pull me in. If I don't think the build-up is there, I feel cheated somehow.
I like unique things in sexual description, though. But lately, it seems as if rimming is the new black. Nothing wrong with that, but it doesn't do anything for me.
I notice in my latest writing, I don't even go with penetration at all. Mutual masturbation and frottage get to come out and play.
no subject
Date: 2005-05-06 04:45 am (UTC)no subject
Date: 2005-05-06 04:49 am (UTC)how Harry feels physically, all turned on and hard and ready, knowing that his cock is about to be engulfed in Draco's hot mouth.
Because that's exactly the kind of thing I've read over and over and over (and sometimes even in those precise words) so that it's lost its impact. Whereas the intellectual/emotional background is where the author takes the story and makes it sing. Or cry. Or whinny for that matter.
no subject
Date: 2005-05-06 11:07 pm (UTC)Friended you- love your taste in fics and was delighted to discover that I have read, and enjoued some of your work before- I'm looking forward to rediscovering it, and any I have missed.
no subject
Date: 2005-05-07 09:08 pm (UTC)no subject
Date: 2005-05-06 01:34 pm (UTC)What I've written isn't ABOUT the sex, but loads of folks (pro and con) don't seem to get this. As a result I'm fading to black with the het sex now as well, because what I'm writing about has always been ideas bigger than slot A into slot B. I think it's possible that if the reviewer of the book in question had looked a little deeper into the character having all of the sex he/she would have seen that there is a reason for the sex (at least I hope there is). It could be that the author thought that some people would be drawn into the story to be titillated and leave with a lesson that was slipped into the story in a stealthy way. I think that that is a valid use of sex in writing, as much as drawing a reader into a story for the adventure, mystery, etc. Unfortunately, for the reviewer, the big "idea" seems to have been lost amidst all of the moaning and orgasms, but then I'm getting the impression more and more that JKR's big ideas are being utterly missed by a load of folks who are fixating on the adventure and mystery of it all. The ideas are being served by that stuff, not the other way around. Ideally the same should be true in a story with sex, and if the reviewer is that distracted by something that is the author's means to an end there's either something wrong with the balance in the story or (more likely) with the reviewer's ability to analyze literature without being distracted by window dressing.